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Short

Soulful rock & roll with grooves from both sides of the Mississippi River

Stone Arch Rivals brings a fresh, soulful spin to rock and roll, blending timeless grooves with heartfelt, roots-driven songwriting. Formed in 2018 and based in Minneapolis, the band weaves together their diverse musical backgrounds to create a sound that’s both earnest and electrifying. 


Medium

Soulful rock & roll with grooves from both sides of the Mississippi River

Stone Arch Rivals brings a fresh, soulful spin to rock and roll, blending timeless grooves with heartfelt, roots-driven songwriting. Formed in 2018 and based in Minneapolis, the band weaves together their diverse musical backgrounds to create a sound that’s both earnest and electrifying. 

Known for their engaging performances and rich, soulful melodies, Stone Arch Rivals is more than a band for its members—it’s a return to music as a communal and creative experience. Whether playing at a variety of venues or crafting new tracks in the studio, they aim to connect deeply with their audiences and leave a lasting impression.

Band members are Claire Spinti (lead vocals), Morgan Ranstrom (lead guitar, background vocals), David Nunez (guitar), Jenna Rosenberg (bass, background vocals), and Chris Evans (drums). They’re set to release their debut album, “That’s What They Say,” on October 24, 2025, produced by Ryan Smith and featuring guest musicians Tommy Barbarella and Ivan Jackson.


Long

Soulful rock & roll with grooves from both sides of the Mississippi River

Stone Arch Rivals brings a fresh, soulful spin to rock and roll, blending timeless grooves with heartfelt, roots-driven songwriting. Formed in 2018 and based in Minneapolis, the band weaves together their diverse musical backgrounds to create a sound that’s both earnest and electrifying. 

Known for their engaging performances and rich, soulful melodies, Stone Arch Rivals is more than a band for its members—it’s a return to music as a communal and creative experience. Whether playing at a variety of venues or crafting new tracks in the studio, they aim to connect deeply with their audiences and leave a lasting impression.

Claire Spinti, lead vocals: Claire has been singing for as long as she can remember. From childhood talent shows to performing in gospel choirs and a cappella groups, her voice carries both power and nuance. Having studied with renowned Nigerian singer Fati Maricot, and a hobby in language, Claire brings a global perspective to her performances, infusing each song with emotional depth and humanity.

Morgan Ranstrom, lead guitar, background vocals: Morgan’s journey through music began in high school bands and evolved into a solo career as a singer-songwriter. With two studio albums under his belt, his guitar work is a core part of Stone Arch Rivals’ sound. For Morgan, music is more than performance—it’s a form of meditation and self-expression.

David Nunez, guitar: David is a versatile artist who has returned to music after two decades away. Originally a drummer, and occasionally a bass player, he picked up the guitar to join Stone Arch Rivals and rediscovered the joy of artistic collaboration. With a background in theater, poetry, and novel writing, David brings a storyteller’s touch to his playing.

Jenna Rosenberg, bass, background vocals: Jenna’s musical roots are in classical violin, but it was the bass guitar that reignited her passion for music. She brings a deep sense of rhythm and community to the band, viewing music as a shared experience that connects people on a fundamental level. Her stage presence and grooves anchor the band’s sound.

Chris Evans, drums: Chris’s love for groove started with a toy drum set and grew into a lifelong passion. With experience in folk, pop, and West African drumming, he brings a rich rhythmic foundation to Stone Arch Rivals. His dynamic drumming style infuses every performance with energy, driving the band’s infectious grooves.

Upcoming album release: That’s What They Say

Stone Arch Rivals will be dropping their debut album October 24, 2025, and has released a series of singles beginning in March 2025 to build anticipation and introduce listeners to their sound. Their songs are earnest and introspective—a fusion of rock with elements of blues, folk, and neo-soul and bring a vocally forward, unique offering to the scene.

The album is produced by Ryan Smith, frontman of The Melismatics and Ryan And Pony, as well as the lead guitarist of Soul Asylum, recorded at Flowers Studio, mixed by Kris Johnson, and mastered by Mystery Room Mastering. The album includes songs featuring organ and keys by Tommy Barbarella, of Prince and the New Power Generation and horns by Ivan Jackson, of Brasstracks. Distributed by Hygh Tension Records / Virgin Music Group.

Initial responses have been very strong, with each single being well received by both listeners on streaming platforms and by media alike. Their first single, The One You’ll Want Tomorrow, sits at nearly 20,000 plays on Spotify from a global audience base. Their fifth and final single from the album, Dry Dust and Rising Water, hit #16 on the worldwide Radio Indie Alliance charts for the week of September 22, 2025 and broke top 10 in Philadelphia, New York, and Connecticut. 

Press note that the band, so new to the scene, has entered with a sound and delivery that is polished, tight, and instantly engaging and authentic—seeming like veterans of the soul. They’ve been described as a soul-tinged rock outfit, steady, deeply human, with a dynamic fusion of retro charm and contemporary polish. 

Press Quotes

[This] record checks every box of my personal algorithm. This sounds to me like a band who knows exactly who they are. And there is nothing more important. And it goes in directions I wasn’t expecting—so bonus points for not limiting yourselves to one corner of the room.

Steve Gorman, KQRS Morning Show Host & Founding Member of The Black Crowes

Stone Arch Rivals, a very cool soul tinged rock outfit. Catch them soon. They’re very good.

“Front Row” Paul Engebretson

With playful call-and-response vocals, a swaggering rhythm section, and a brass arrangement hot enough to melt Minnesota snow, this track isn’t just a catchy introduction—it’s a bold announcement that a new sound has officially landed.

Apricot Magazine

This Minneapolis-based band is stepping into the spotlight with swagger, soul, and an irresistible groove with their debut single, “The One You’ll Want Tomorrow.”

Odyssey Magazine

“Irresistible,” “full of joy,” a “dynamic fusion of retro charm and contemporary polish.”

TJPL News

[Spinti’s] voice, smooth as silk, carries both the grace of a soul-jazz balladeer and the commanding energy of a powerhouse performer

Cage Riot

Videos

Music

Album: That’s What They Say

Stone Arch Rivals is more than a band for its members—it’s a return to music as a communal experience. Their debut album, That’s What They Say, is the band’s greeting to the world – a great big bold hello of earnest, authentic tunes that feel immediately comforting and engaging. As a creative endeavor, these premier songs were exercises in melding the members’ richly diverse musical and thematic influences. The album itself served as the exploration and pursuit of the band’s intersecting styles, wrapped in the rich, vocally-forward soulful melodies they’ve become known for, and helping to define the Stone Arch Rivals signature sound. 

The album is produced by Ryan Smith, frontman of The Melismatics and Ryan And Pony, as well as the lead guitarist of Soul Asylum, recorded at Flowers Studio, mixed by Kris Johnson, and mastered by Mystery Room Mastering. The album includes songs featuring organ and keys by Tommy Barbarella, of Prince and the New Power Generation and horns by Ivan Jackson, of Brasstracks. Distributed by Hygh Tension Records / Virgin Music Group.

The One You’ll Want Tomorrow

Realizing and appreciating that the best things in life are worth waiting for, whether it’s love, success, or finding your voice. The song is both a literal and metaphoric note to your younger self not to take the flashy immediate offering, because you’ll miss out on something of true value. 

Fire

Guiding loved ones through chaos towards a better future, reflecting humanity’s cycles of struggle and hope. “Fire” was inspired by the emotional upheaval of 2020 and is a battle cry that encourages listeners to jump into the unknown and find a way through.

Dry Dust and Rising Water

Conveying the uncertainty and jeopardy of a fictional relationship at a breaking point; two parties both experiencing the same moment of reckoning, but seeing the situation from completely differing perspectives. The song doesn’t resolve or paint a perfect path forward, it leans into being okay with that uncertainty.

Riverside

Bittersweet confusion of young love, where longing, rumors, and reality blur together in a haze of heartache, posing the question of whether you can break up with someone you were never really with. It’s pure emotional reflection, capturing the pain of wanting something that was never truly yours.

That’s What They Say

Standing at the precipice and telling loved ones that their advice and their expectations of you, while well intentioned, are not ones you’re going to be burdened with any longer. The personal growth and freedom that comes from forging your own path and stepping out into the world, confident in who you are. 

Sitting on the Eastside

Embracing life’s journey toward deep personal alignment in work and community. The lyrics incorporate several real-life moments various band members experienced as they pursued the human fulfillment in finding just where you’re supposed to be. For songwriter Spinti, it’s also self-reflective on her path to finding Stone Arch Rivals and what her own sound really sounds like. 

Handwritten

Confusion and fear over letting go of a relationship that’s been full of pain and distrust, and grappling with the irony that letting go may be just as painful. The lyrics pull from multiple micro-moments, from real relationships of all kinds in Spinti’s life, and asks the question is she courageous enough to face things solo. 

Echo Chamber

Raging against pervasive cognitive dissonance in our national discourse and processing some of the collective awakening and reckoning to sweep the country over the last ten years. The lyric “so you’re gonna scream on the inside” invokes the mental health struggles so many are facing and song itself is the safe outlet to express this swell of emotion.

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